----------Friday, April 16, 2010----------
Exhibit #1-Tribute to Mother
Painting












This painting depicts my mother’s tender love for me.

The lily pad represents my mother.

The flower represents my mother’s gentle love for me.

The heart in the middle of the flower represents me.

The rippling water (blue area) around the lily pad represents problems that my mother and I encounter.

Despite the problems we face, our love for each other never dies. She protects me despite the problems she might face. She sacrifices herself for me. Thus, I would like to take this opportunity to thank my mother.

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Its Nice Being Colourful...---------------------- 8:14 PM





#Task 2:Part 3)





















This is a picture which is a form of impressionism.(picture taken from: http://en.wikipedia.org
/wiki/File:Claude_Monet,_Impression,_soleil_levant,_1872.jpg

Impressionism was a 19th-century art movement that began as a loose association of Paris-based artists whose independent exhibitions brought them to prominence in the 1870s and 1880s. The name of the movement is derived from the title of a Claude Monet work, Impression, Sunrise (Impression, soleil levant), which provoked the critic Louis Leroy to coin the term in a satiric review published in Le Charivari.

Characteristics of Impressionist paintings include visible brush strokes, open composition, emphasis on light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, the inclusion of movement as a crucial element of human perception and experience, and unusual visual angles. The emergence of Impressionism in the visual arts was soon followed by analogous movements in other media which became known as Impressionist music and Impressionist literature.

Impressionism also describes art created in this style, but outside of the late 19th century time period.

Overview

Radicals in their time, early Impressionists broke the rules of academic painting. They began by giving colours, freely brushed, primacy over line, drawing inspiration from the work of painters such as Eugène Delacroix. They also took the act of painting out of the studio and into the modern world. Previously, still lifes and portraits as well as landscapes had usually been painted indoors. The Impressionists found that they could capture the momentary and transient effects of sunlight by painting en plein air. Painting realistic scenes of modern life, they portrayed overall visual effects instead of details. They used short "broken" brush strokes of mixed and pure unmixed colour, not smoothly blended or shaded, as was customary, in order to achieve the effect of intense colour vibration.

Although the rise of Impressionism in France happened at a time when a number of other painters, including the Italian artists known as the Macchiaioli, and Winslow Homer in the United States, were also exploring plein-air painting, the Impressionists developed new techniques that were specific to the movement. Encompassing what its adherents argued was a different way of seeing, it was an art of immediacy and movement, of candid poses and compositions, of the play of light expressed in a bright and varied use of colour.

The public, at first hostile, gradually came to believe that the Impressionists had captured a fresh and original vision, even if it did not receive the approval of the art critics and establishment.

By re-creating the sensation in the eye that views the subject, rather than recreating the subject, and by creating a welter of techniques and forms, Impressionism became a precursor seminal to various movements in painting which would follow, including Neo-Impressionism, Post-Impressionism, Fauvism, and Cubism.


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Its Nice Being Colourful...---------------------- 4:35 PM





#Task 2:Part 2)
This is a picture which is a form of symbolism.(picture taken from:http://en.wikipedia.org/wiki/File:The_Death_of_the_Grave_Digger.jpg)


Origin:

Symbolism was largely a reaction against naturalism and realism, anti-idealistic movements which attempted to capture reality in its gritty particularity, and to elevate the humble and the ordinary over the ideal. These movements invited a reaction in favour of spirituality, the imagination, and dreams; the path to symbolism began with that reaction. Some writers, such as Joris-Karl Huysmans, began as naturalists before moving in the direction of symbolism; for Huysmans, this change reflected his awakening interest in religion and spirituality. On the other hand, certain of the characteristic subjects of the decadents reflect naturalist interest in sexuality and taboo subjects, but in their case this was mixed with a stiff dose of Byronic romanticism and the world-weariness characteristic of the fin de siècle.

The symbolist poets have a more complex relationship with Parnassianism, a French literary movement that immediately preceded it. While moving in the direction of hermeticism, allowing freer versification, and rejecting Parnassian clarity and objectivity, it retained Parnassianism's love of word play and concern for the musical qualities of verse. The symbolists continued to admire Théophile Gautier's motto of "art for art's sake," and retained — and modified — Parnassianism's mood of ironic detachment. Many symbolist poets, including Stephane Mallarmé and Paul Verlaine, published early works in Le Parnasse contemporain, the poetry anthologies that gave Parnassianism its name. But Arthur Rimbaud publicly mocked prominent Parnassians, and published scatological parodies of some of their leading lights.


Techniques

The symbolist poets wished to liberate techniques of versification in order to allow greater room for "fluidity", and as such were aligned with the movement towards free verse, a direction evident in the poems of Gustav Khan and Ezra Pound. Symbolist poems sought to evoke, rather than to describe; symbolic imagery was used to signify the state of the poet's soul. Synthesia was a prized experience; poets sought to identify and confound the separate senses of scent, sound, and colour. In Baudelaire's poem Correspondences, which also speaks tellingly of forests of symbols.

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Its Nice Being Colourful...---------------------- 4:23 PM





----------Monday, April 12, 2010----------
Exhibit #1 Tribute to Mother
Poem
When I'm In Fear
My Mother Is Here

Through The Thick And Thin
She Always Leaves A Hint

Bubbles Of Love Radiating From Her Do Not Pop
So That Our Tears Would Not Drop

For All The Love
In This Cosy Cove

So Here's A Poem
To Show My Gratitude
For Your Lovely Attitude!!!

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Its Nice Being Colourful...---------------------- 8:05 PM







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S-Shafraaz
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